Centrafuse software interface definition. Stream it now via; Subscribe to Lost Frequencies channel: After the success of previous releases, including the wildly fruitful melodies and raw vocals of ‘Crazy’, Lost Frequencies now announces ‘Melody’ featuring chart-topping singer-songwriter James Blunt, with an uplifting video to match. Taking adolescent troubles and hardship wrapped up with with love, excitement and music as both a release, and a tool for confidence and visibility, the video for ‘Melody’ was filmed at Lost Frequencies’s own boarding school he attended in his formative teenage years, giving an injection of relatability, hope and positivity for a visual that perfectly missors the hopeful, empassioned lyrics.

On the track, Lost Frequencies pays homage to country sounds using melodic guitar strums and by twisting Blunt’s soaring vocal into a unique loop come the chorus, which flows around the rhythm like a waterfall. The release came about after Blunt had been writing in the studio with Steve Mac (co-writer and co-producer on Ed Sheeran's ‘Shape Of You’) and Ammar Malik (co-writer of Maroon 5's ‘Moves Like Jagger’) on a song called ‘Hey, Melody.’, that Lost Frequencies then added his studio spin on for a unique release. Follow Lost Frequencies on Facebook: Instagram: Twitter: Follow James Blunt on Facebook: Instagram: Twitter: Music video by Soulvizion Special thanks to: College Melle Piano's Maene.

Tracklist: • 'Shut Up!' Get Your Heart On! Is the fourth studio album by Canadian pop punk band Simple Plan, released on 21 June 2011. In some countries such.

Punk-pop bands don’t always age well, but the boys in check their adulthood at the door for, a zippy album whose title alone (the second penis joke in the band’s discography) speaks volumes about the music itself. These songs only take themselves half-seriously, with names like “You Suck at Love” and cheeky lyrics that compare a new relationship to being “stuck like two pieces of Velcro.” But when it comes to hooks, are almost business-like in their ability to pack melodies into every verse, chorus, and guitar riff. The guys have been taking notes during their decade-plus career, and manages to sound young at heart without making most of the mistakes that plague albums by younger groups. There’s a star-studded guest list to help liven things up -- over a third of the songs feature cameos, with people like,, and ’s all lending their help -- and the production is punchy and to the point, emphasizing the band’s guitars and anthemic vocals without cluttering up the picture with strings, electronics, or other studio trickery. May be too old to write this sort of music, which sounds as though it’s still aimed at teenagers, but that doesn’t mean they’ve lost their knack for it, and is every bit as tuneful as the group’s debut.

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