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The title character (played by ) is a in the classic tradition, which was a popular on American TV in the late. However, a few traits differentiate him from the standard, such as.
Gunn was a sophisticated 'hipster', a dapper dresser who loved; where other gumshoes were often coarse, Peter Gunn was portrayed as the epitome of 'cool'. He operated in a nameless waterfront city, and was a regular patron of Mother's, a wharfside club; his girlfriend, Edie Hart (), was a sultry singer employed there.
Played Lieutenant Jacoby, a police detective. Music The show's use of modern jazz music, at a time when most television shows used a generic, uninspired orchestra for the background, was another distinctive touch that set the standard for many years to come. Soal perbandingan smp kelas 7 kurikulum 2013 smp. Innovative jazz themes seemed to accompany every move Gunn made, ably rendered by and his orchestra (which at that time included ), lending the character even more of an air of suave sophistication. Most memorable of all was the show's opening (and closing) theme, composed and performed by Mancini. A hip,, brassy number with an insistent piano-and-bass line, the song became an instant hit for Mancini, earning him an and two, and became as associated with as 's theme to the films is associated with. The harmonies fit the mood of the show, which was a key to success.
The Peter Gunn Theme has been covered by numerous jazz, blues, and artists since, including, the,,,,,, and many, many others. A version by, with guest artist on twang (taking the piano riff) earned a Grammy Award in. Furthermore, the riff has been incorporated into many blues and jazz songs. The theme is also used as the background music for the.
Today, many people with no knowledge of the original show still can identify the theme. Review by Richie Unterberger When Latin bandleaders popularized mambo in the early 1950s, this set many pop and big band acts scrambling to get in on the action. Mambo Fever, part two of Capitol's Ultra-Lounge series, takes 18 such examples from the vaults, spanning the mid-'50s to the early '60s.
(an exotica singer, not a bandleader) and are the only readily recognizable names on this compilation, which is akin to hearing competent, somewhat Whited-out derivations of. There are odd touches like high-frequency warbles, roller-rink organ runs, and the sheer silliness of 'Oink, Oink Mambo.' But the results are oddly similar, on one level, to hearing some White bands try to play the blues—in comparison to the most genuine article, it's somewhat sanitized for broader consumption. That's not to deny its considerable fun (if lightweight) qualities; this usually works up respectable heat, in addition to evoking the slightly kitschy '50s mentality that is a necessary ingredient of the space age pop revival.
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Biography by Steve Huey were part of a British wave of psychobilly that sprang up in the early '80s, around the same time that bands like were gaining underground prominence in America, and more straightforward rockabilly revivalists like and were hitting the charts on both sides of the Atlantic. The group was formed in the English town of Feltham, in Middlesex, in 1983, with a lineup featuring vocalist, guitarist, bassist (also of the similar ), and drummer;, an electric bassist, was soon replaced by stand-up acoustic player. Playing hopped-up rockabilly with the speed and aggression of punk rock, fit nicely into the British psychobilly scene epitomized by,,, and other bands who played at the good-naturedly rough Klub Foot in London. As such, landed a deal relatively quickly, releasing their debut EP,, on Big Beat Records by the end of 1983. An appearance on the compilation netted them a better deal with ABC/ID, which released their full-length debut, (aka ), in 1985. A follow-up,, appeared a year later, and proved an even bigger underground hit (at least in the U.K.) than its predecessor.