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Running time 95 minutes Country United States Language English Budget $50,000 Box office $20 million The Endless Summer is a seminal 1966 (the initial release was in 1964, world-wide release was 1966 [ ]). Filmmaker/narrator follows two surfers, Mike Hynson and, on a trip around the world. Despite the balmy climate of their native California, cold ocean currents make local beaches inhospitable during the winter. They travel to the coasts of,,,,,, and in a quest for new surf spots and introduce locals to the sport. Other important surfers of the time, such as, and also appear. Its title comes from the idea, expressed at both the beginning and end of the film, that if one had enough time and money it would be possible to follow the summer up and down the world (northern to southern hemisphere and back), making it endless.
The concept of the film was born through the suggestion of a travel agent to Bruce Brown during the planning stages of the film. The travel agent suggested that the flight from Los Angeles to Cape Town, South Africa and back would cost $50 more than a trip circumnavigating the world. After which, Bruce came up with the idea of following the summer season by traveling up and down the world. The narrative presentation eases from the stiff and formal documentary of the 1950s and early 1960s to a more casual and fun-loving personal style filled with sly humor. The soundtrack to the film was provided. The 'Theme to the Endless Summer' was written by Gaston Georis and John Blakeley of the Sandals.
It has become one of the best known film themes in the surf movie genre. When the movie was first shown, it encouraged many surfers to go abroad, giving birth to the 'surf-and-travel' culture, with prizes for finding 'uncrowded surf', meeting new people and riding the perfect wave.
It also introduced the sport, which had become popular outside of and the Islands in places like and Australia, to a broader audience. Contents • • • • • • Development [ ] Bruce Brown started surfing in the early 1950s. He took still photographs to show his mother what the draw of the sport was.
While serving in the on years later, he used an movie camera to photograph surfers from California. Once Brown got back to the states, he edited his footage into an hour-long film. Surfer showed it at his shop, charging 25 cents for admission.
Velzy bought Brown a camera and together they raised $5,000 to make Slippery When Wet, Brown's first 'real' surf film. Bucare una rete wifi infostrada sports. In the winter of 1958, Brown went back to Hawaii to film the 's big surf. On the plane ride over, the novice filmmaker read a book about how to make movies.
Brown said, 'I never had formal training in filmmaking and that probably worked to my advantage'. By 1962, he had spent five years making one surf film per year. He would shoot during the fall and winter months, edit during the spring and show the finished product during the summer.
Brown remembered, 'I felt if I could take two years to make a film, maybe I could make something special'. To do this, he would need a bigger budget than he had on previous films. To raise the $50,000 budget for The Endless Summer, Brown took the best footage from his four previous films and made Waterlogged.
Brown took his completed film to several Hollywood studio distributors but was rejected because they did not think it would have mainstream appeal. In January, he took The Endless Summer to for two weeks where moviegoers lined up in snowy weather in the middle of winter and it went on to selling out multiple screenings. Distributors were still not convinced and Brown rented a theater in New York City where his film ran successfully for a year. After the success of the run at New York's Kips Bay Theater, Don Rugoff of Cinema 5 distribution said he did not want the film or poster changed and wanted them distributed as is, thus Brown selected him over other distributors who wished to alter the poster. Reaction [ ] When The Endless Summer debuted, it grossed $5 million domestically and over $20 million worldwide.